Happy New Year!!
Well it's here, 2014. This week Aladdin is playing it's final shows in Toronto. If you still want to see the show before it hops on that magic carpet to the Great White Way then there are still a few seats left for both of Saturday's performances and Sunday's final matinee (tonight and tomorrow are both sold out). Tickets are available from the Mirvish's website.
After wowing audiences for the past 2 months and bringing some of the heat of the Arabian desert to snowy Toronto (at least inside the theatre) it's almost time to say goodbye to Canada. But unlike the last time most of this cast said goodbye to their characters this time it's only for a month, they know where they're going next and that's Broadway!
And that leads me nicely to this next piece of news.
Brandon O'Neill |
Several members of Aladdin's cast will be making their Broadway debuts with this show, including Brandon O'Neill who plays Aladdin's friend, Kassim. Just before Christmas Brandon spoke with Inlander about his musical background, his road to Broadway and the difference between the 5th Avenue's Pilot Production and the new Broadway bound production of Aladdin. It's a very interesting read and well worth checking out. Oh and twelve weeks of twelve hour days? No one ever said being on stage was easy!!
Alan Menken was also interviewed recently, speaking with the Daily Tribune about the current trend of adapting movies into musicals. It's not entirely Aladdin related but it's a very interesting read and I highly recommend giving it a look.
Coming back to Aladdin, as we end one year and start a new one it's often traditional to look back on what has been and look forward to what's to come. Broadway World recently did just that with Aladdin topping their list of 2013's hottest news stories and coming second in their list of "14 Things We Can't Wait For". Obviously they have good taste :o)
I just got back from the 7:30 performance and I'm keeping my full opinion of the show elsewhere, but its a shock to be the Brandon O'Neill is just making his Broadway debut with Aladdin. He's one of the 2 guys who stole the show for me, James Monroe Iglehart is the other guy. The abu omission was smart and to exchange it with the 3 stooges a'la Flora, Fauna, and Merrywether from Sleeping Beauty, it added depth to Aladdin's character, now knowing that this kid had a family in the streets. One thing that bothered me was the missing aria Jasmine. Why was "to be free" not included in this production
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